Showing posts with label class. Show all posts
Showing posts with label class. Show all posts

Tuesday, November 3, 2009

Two Insane, Comedic Performances and New Layout

In case you haven't seen my actual blog in some time, the layout, color scheme, and the banner have changed. No more obnoxiously large photo booth picture of me eating bread in a time warp.

Dressed as a beatnik for Halloween, since my Alex DeLarge costume fell through. (Note: Duct-taping two white belts to the inside of your pants and calling them suspenders isn't as easy as it seems.) We went trick-or-treating for, like, a half hour in Pilsen before we decided to head to this party over in Lakeview. Pretty good fun overall.

Tomorrow we're having another class shoot, this time with a dolly, inside a studio. Hopefully I didn't annoy anyone with my decision to switch from the "homemaker" role to the "pissed off worker" role. Actually, if I did, whatevah.

New favorite movie scene of the moment: Daniel Brühl's performance in 2 Days in Paris. Unfortunately, there is no clip on youtube I could gladly show you, so I'll leave you with a, no doubt, beautiful picture of him as "Lukas" in what was overall kind of a meh film in terms of story:


"I'm a fairy..."

Also saw Willy Wonka and the Chocolate Factory (1971) for the first time on the big screen at the Gene Siskel Film Center. It's better and more appetizing than I remembered.


Two entertaining, comical performances of insane people.

Wednesday, October 21, 2009

Murderous Children and a Rant about Non-Subversive, Sexist Comedy

Just saw ¿Quíen puede matar a un niño? (1976) or, Who Can Kill a Child?, in English. It's insane, I recommend you watch it to see Spanish children kill adults.



Also had a conversation I've been wanting to have for quite a long time in film class. B (I feel weird using full names in my blog now... for some reason) brought up how someone in his painting class brought in this really exploitative, gratuitous painting of a naked woman bending over, along with a random tit in the corner. He, the painter, apparently wanted to present the naked female figure as "decoration". B was pretty adamant about how he (and, thankfully the rest of the class AND the teacher) disagreed with this student's depiction of women in the painting. Thank gawd -- this gave me hope.

This reminded me of the time someone brought in a drawing for critique in the "comedy" Research Studio last semester. The drawing was as follows: a line drawing of a naked, faceless woman, holding her legs up in the air, with a coin slot for a vagina. Chee-ya. So I expressed my discontent during the critique, and the teacher asks if I think the guy who drew it thinks a woman's vagina is literally a coin slot. My response should have been:

-"Gee, I don't know, has he ever even seen one?"

or,

-What the girl in my film class (the one, who I believe wrote for Second City, or was affiliated with them in one way or another) said. She mentioned how what we laugh at reveals what we truly think in our subconcious...

...Thus, if someone laughs at a drawing of a faceless, naked woman with a coin slot for a vagina, there's a kernel of truth, and sadly enough, odds are, that person subconsciously feels that women can be bought. The "it's funny because it's true" doesn't work in this case because it's not true -- they're stereotypes, and they're certainly not anything new and subversive WHICH IS WHAT COMEDY WAS AND IS MEANT TO BE.

The whole thing kind of distanced me from some people in the Research class, and I definitely felt silenced and a little isolated for the rest of the term, simply for saying I was offended by a line drawing. So it was quite the relief to hear like-mindedness on the situation, instead of the half-witted, apathetic, hipster response on how we shouldn't take sexist jokes and such so seriously because it's supposed to be "ironic". I got a whole 'nother rant on that, but I'll withdraw that and save it for a rainy day.

I also wrote a Feministing article about the line drawing incident, but someone from my class left a comment on it defending the guy who drew it. Weak defense, of course -- s/he said it wasn't a final project and it was supposed to be "lame, bad, ugly" art and we're supposed to laugh at the piece because of that. However, laughing at someone like this, something that degrades half the population using old clichés and stereotypes because you think it's bad is the same as laughing at it because you think it's true.
Rant: done.

Though I feel like I have much more to say...

Monday, February 16, 2009

Some of My YouTube Crap

So today in Media Practices we had to make a video about the news and upload it onto YouTube. This is the fruit of my group's labor:



Not too fancy, not too shabby. We had about 30 minutes to film it on Photo Booth (the immediate capture on YouTube wasn't working.)


But, hey! Check out the music video I made back in September: